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If every other cross-beat is sounded, the three-against-four (3:4) cross-rhythm is generated. The "slow" cycle of three beats is more metrically destabilizing and dynamic than the six beats. The Afro-Cuban rhythm abakuá (Havana-style) is based on the 3:4 cross-rhythm.  The three-beat cycle is represented as half-notes in the following example for visual emphasis.