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Optimum transfers of the original 1972
1/2" SS master tapes. Plus the first
release of a 1986 companion work.
As Digital Moonscapes suggests, Wendy Carlos may have finally found peace. In the Greenwich Village loft that is her studio and is nicknamed by friends “the Spaceship,” Carlos is creating her next album, Catalyst, on an even more complex synthesizer. “What I’m doing now is very profound,” she says. “A lot of people who drop by get their socks knocked off. I’ve never done that to anybody before.” She is even planning to resume performing regularly in public. “It will be fun,” she says, “to get out into the open again.”
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Digital from the inside out, Beauty in the Beast takes electronic music far past the signposts Carlos erected with her Switched On... series. Instead, the music on this album cuts through a lot of the conventions and restraints that were used as frameworks for previous releases: instrumentation, tonality, and scaling, to name just a few. The result is an album filled with music that lives up to the title. At first listen, the music sounds terrifying -- the microtonality causes a brain raised on Western pop music to readjust almost all of its expectations about sound and harmony -- but those willing to listen and let it sink in will appreciate the beauty of the sounds.
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